chaw ei thein | freeDimensional https://fd.artistsafety.net Supporting culture in the service of free expression, justice and equality Mon, 10 Apr 2017 09:51:28 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 How I got back the energy and confidence to keep doing… https://fd.artistsafety.net/2014/05/how-i-got-back-the-energy-and-confidence-to-keep-doing/ https://fd.artistsafety.net/2014/05/how-i-got-back-the-energy-and-confidence-to-keep-doing/#respond Tue, 06 May 2014 22:03:05 +0000 http://freedimensional.org/?p=1601 By: Chaw Ei Thein In 2006, I came to New York for a yearlong artist residency program and during that time, I was warned that my safety could not be assured if I were to return to Burma. The reason I could not return was my artwork, interviews I had given with the international media […]

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ChawEiCompressedBy: Chaw Ei Thein

In 2006, I came to New York for a yearlong artist residency program and during that time, I was warned that my safety could not be assured if I were to return to Burma. The reason I could not return was my artwork, interviews I had given with the international media and newspaper articles about my work as it related to a critique of the political situation in Burma at that time. Unable to return home, I was facing very difficult time settling in to life in New York; I was totally frustrated and very worried about how to live, find a way to survive and uncertain as to whether I could continue my career as an artist in this new place with its new challenges.

Then in 2010, one of my friends, an artist who lives in Brooklyn introduced me to Todd Lester, founder of freeDimensional. fD provided the support I needed to restart my life as an artist in New York City, connecting me to the arts community, pro-bono legal counsel for my asylum process, immigrant resources and services. fD recommended me for several artist residency programs and arranged talks at cultural institutions, universities and arts organizations to share my experiences and through my artwork raise awareness about the situation of freedom of expression and democracy in my home country. These opportunities to engage with people, to tell my story, is how I got back the energy and confidence I needed to keep doing what I had been doing before and deal with the new challenges I was faced with.

Through fD I have made many new friends, who like me were forced to leave their countries because of their art and activities defending human rights and freedom of expression. Having a community of like-minded individuals with similar experiences, who could learn from each other to keep moving forward, made me feel like I was not alone.

These days, when artists, journalists and cultural workers who fight for social justice face great risks and personal danger, organizations like fD that protect and support vulnerable individuals are of crucial importance to defending freedom of expression around the world.

* * * * *  

Artists often use their creative practice to voice the concerns of their communities and challenge injustice, but in return they may be harassed, attacked, exiled, imprisoned, tortured or worse…fD defends these essential voices but to do so we need your financial support today.

Since 2006, fD has worked with nearly 200 culture workers at risk, from over 35 countries, by brokering safe haven in artists residencies and developing tools for partners across sectors to help assess and support artists in danger. Right now we need your support for:

– One-to-One case management for artists, culture workers and communicators in need of critical personal and professional support.

– Design and translation of our DIY guidebook for individuals at risk – Creative Safe Haven Advo-kit – into the languages of territories where culture workers are most in need.

– Development of 5 ‘regional safety networks’ around the world to provide immediate and accessible response when individuals are in situations of dangers.

Your contribution will make a real difference in the lives of artists, culture workers and communicators who find themselves at risk, around the world.

Sincerely,

the fD Team

* * * * *

Donate today! – click here to make your donation online or send a check payable to freeDimensional to P.O. Box 301, New York, NY 10276

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SAVE THE DATE! APRIL 25 – fD Exhibition Fundraiser – FRAGILE STATES https://fd.artistsafety.net/2013/04/save-the-date-april-25-fd-exhibition-fundraiser-fragile-states/ https://fd.artistsafety.net/2013/04/save-the-date-april-25-fd-exhibition-fundraiser-fragile-states/#respond Wed, 10 Apr 2013 20:11:14 +0000 http://freedimensional.org/?p=1382 freeDimensional in partnership with the Brian Morris Gallery invites you to attend a group exhibition launch and fundraiser, Fragile States, on April 25, from 6-9PM. Fragile States is an exploration of the physical and psychological experiences of persecution and forced displacement. The artists featured in the exhibition share a common experience of having to leave […]

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fd frontfreeDimensional in partnership with the Brian Morris Gallery invites you to attend a group exhibition launch and fundraiser, Fragile States, on April 25, from 6-9PM.

Fragile States is an exploration of the physical and psychological experiences of persecution and forced displacement. The artists featured in the exhibition share a common experience of having to leave their country of origin after facing threats, violent assault, imprisonment or torture as a result of using their creative practice to voice the concerns of their communities.

Featured Artists: Owen Maseko (Zimbabwe), Zunar (Malaysia), Kianoush Ramezani (Iran), Chaw Ei Thein (Burma), Kardash Onnig (Armenia), Khaled Barakeh (Syria), Arahmaiani Feisal (Indonesia) and Issa Nyaphaga (Cameroon).

Admission by donation (suggested donation $10 – $20) to freeDimensional. fD supports culture in the service of free expression, justice and equality by protecting critical voices through creative safe haven residency programs, mobilizing critical resources and services and quick-response funding to remove cultural activists from dangerous situations. fD will receive 60% of proceeds from exhibition sales to further regional artist safety initiatives and to support the needs of artists in distress.

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1ST BREAK OUT : Exhibition by Kyaw Thu – 25-27 May – New York City https://fd.artistsafety.net/2012/05/1st-break-out-exhibition-by-kyaw-thu-25-27-may-new-york-city/ https://fd.artistsafety.net/2012/05/1st-break-out-exhibition-by-kyaw-thu-25-27-may-new-york-city/#respond Thu, 24 May 2012 18:44:09 +0000 http://freedimensional.org/?p=1275 First Breakout — Artistic Expressions from the Heart — Exhibition by Kyaw Thu “I have been denied all rights to artistic creation in Myanmar since September 2007, when I offered alms and water to monks walking in peaceful protest and reciting prayers of love during the Saffron Revolution, all the way to my current visit […]

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First Breakout — Artistic Expressions from the Heart — Exhibition by Kyaw Thu

“I have been denied all rights to artistic creation in Myanmar since September 2007, when I offered alms and water to monks walking in peaceful protest and reciting prayers of love during the Saffron Revolution, all the way to my current visit to the United States. I would like to call it the first breakout, the first artistic expressions from the heart, to be able to publicly exhibit the heartfelt works I have painted during my visit to America.” – Kyaw Thu (film actor, director, producer, painter, undertaker)

First Breakout is curated by art@apt (Chaw Ei Thein & KST) and is hosted at Project Reach NYC located at 39 Eldridge Street, 4FL. New York, NY 10002.

Opening Reception : May 25, 6-8PM / Closing Reception : May 27, 6-8PM

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Chaw Ei Thein featured in NYFA’s Immigrant Artist Project Newsletter https://fd.artistsafety.net/2012/03/chaw-ei-thein-featured-in-nyfas-immigrant-artist-project-newsletter/ https://fd.artistsafety.net/2012/03/chaw-ei-thein-featured-in-nyfas-immigrant-artist-project-newsletter/#respond Mon, 05 Mar 2012 18:32:12 +0000 http://freedimensional.org/?p=1262 Chaw Ei Thein (2011 Mentee Alum, Burma), is a painter and performance artist whose work stems from her contrasting experiences of growing up in a politically oppressive Burma and then shifting to a very different landscape in the United States. Chaw Ei’s emotionally charged work of addressing these conflicts in her native country has earned her […]

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Chaw Ei Thein (2011 Mentee Alum, Burma), is a painter and performance artist whose work stems from her contrasting experiences of growing up in a politically oppressive Burma and then shifting to a very different landscape in the United States. Chaw Ei’s emotionally charged work of addressing these conflicts in her native country has earned her critical acclaim, awards, and residencies in the U.S. and abroad. However, it has also forced her to live in political exile in which returning to her native country could mean reprisal from the Burmese government. Between her experiences in the U.S. and her desire to return home, Chaw Ei balances multiple tensions in her work. She shares how she deals with her experience and how she has found her Mentorship with Alexandra Pacula in the NYFA Mentoring Program helpful to her artistic career and personal pursuits. The Mentoring Program collaborated with freeDimensional to pair Chaw Ei with her Mentor.

 “I was nominated to participate in the Mentoring Program by   freeDimensional. Since I had to make a decision to live in New York, I  faced a lot of challenges, not only for daily living but also for my artistic career. At that time I felt very scared, worried and confused about starting my career and life again here in the U.S. and especially in New York City where living is expensive and the art field is so competitive. Furthermore, I was trying to engage with a new and different people, culture, language, system and customs for my survival.

When I began the Mentoring Program at NYFA, I found that I was not alone in this situation and with these challenges. All of the artists I met in this program are immigrant artists. I learned a lot about them and how they are trying to survive as artists like I am. During the program I felt that I got back some of the energy that I had when I lived in Burma. And then when I met with my Mentor Alexandra Pacula, I felt like I had received a great opportunity, as my Mentor is generous and helped me with many different aspects of my living and my career. She was also an immigrant from Poland and she shared with me all of her experiences of being an artist in New York.”

To read the full article visit: http://www.nyfa.org/level3.asp?id=659&fid=1&sid=145

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fD participates in Creative Time’s ‘Living as Form’ exhibition – Friday, September 30 @ Essex Street Market https://fd.artistsafety.net/2011/09/fd-participates-in-creative-times-living-as-form-exhibition-friday-september-30-essex-street-market/ https://fd.artistsafety.net/2011/09/fd-participates-in-creative-times-living-as-form-exhibition-friday-september-30-essex-street-market/#respond Wed, 28 Sep 2011 20:18:25 +0000 http://freedimensional.org/?p=1182 On Friday, September 30, from 4pm to 8pm, performance artist and painter Chaw Ei Thein and radio journalist Lawman Lynch will create “social space” in Creative Time’s ‘Living as Form’ exhibition at the Essex Street Market. [www.creativetime.org/livingasform] Transit Lounge/Waiting Room captures the experiences of fD’s New York stakeholders (artists displaced from their home countries as […]

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On Friday, September 30, from 4pm to 8pm, performance artist and painter Chaw Ei Thein and radio journalist Lawman Lynch will create “social space” in Creative Time’s ‘Living as Form’ exhibition at the Essex Street Market. [www.creativetime.org/livingasform]

Transit Lounge/Waiting Room captures the experiences of fD’s New York stakeholders (artists displaced from their home countries as a result of their artistic activism) through http://www.gooakley.com/ performance, visual art, and video interviews. Transit Lounge/Waiting Room will highlight the situation in Burma, in particular the continual attacks on free expression. It explores the experience of displacement and acclimatization to a new environment when an artist is forced to depart their home country.

Image taken from chaweithein.blogspot.com/

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Being (T)here: Creating in the Borderlands https://fd.artistsafety.net/2010/12/being-there-creating-in-the-borderlands/ https://fd.artistsafety.net/2010/12/being-there-creating-in-the-borderlands/#respond Tue, 07 Dec 2010 14:49:50 +0000 http://freedimensional.org/?p=463 Last night (6 Dec 2010) at the historic Nuyorican Poets Cafe in New York City, writer/painter Breyten Breytenbach (South Africa), poet/painter Huang Xiang (China), and performance artists Chaw Ei Thein and Ye Taik (Burma) explored the concept of Art in Exile via text, conversation, and live performances. freeDimensional has been working with Chaw ei Thein over […]

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Last night (6 Dec 2010) at the historic Nuyorican Poets Cafe in New York City, writer/painter Breyten Breytenbach (South Africa), poet/painter Huang Xiang (China), and performance artists Chaw Ei Thein and Ye Taik (Burma) explored the concept of Art in Exile via text, conversation, and live performances. freeDimensional has been working with Chaw ei Thein over the last year as she filed for political asylum in the US and acclimates to the New York City art scene. For her performance last night, she provided the following note:

Many of my friends are in prison, far away and inaccessible. There are over 2100 political prisoners in Burma. Some have been sentenced to 56 years of imprisonment, some 65, some 102. All are committed to their fight for freedom and justice in Burma, and for our people. I am lucky because I am not in prison like them. But I always think of them: how they spend their time in the prison, and how they have sacrificed. I cannot help them to be free. So I am doing this performance as a tribute to them and what they have done for us. In this performance, I explore the “poun-zan”: a form of torture common in Burmese prisons, in which prisoners must hold a physically excruciating and Occhiali Da sole Ray Ban outlet psychologically humiliating position for a long period of time. My performance is their real performance in those prisons. I hope you can feel it.

Chaw ei Thein was has been selected for the New York Foundation for the Arts‘ Mentoring Program for Immigrants Artists through a partnership with freeDimensional.

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Chaw ei Thein Fights Burma’s Junta with Performance and Paintings {World Policy Blog #3} https://fd.artistsafety.net/2010/11/chaw-ei-thein-fights-burmas-junta-with-performance-and-paintings-world-policy-blog-3/ https://fd.artistsafety.net/2010/11/chaw-ei-thein-fights-burmas-junta-with-performance-and-paintings-world-policy-blog-3/#respond Tue, 02 Nov 2010 16:05:34 +0000 http://freedimensional.org/?p=291 In one of the busiest street markets in Yangon, Myanmar (Burma), Chaw Ei Thein and a friend, the artist Htein Lin, created a performance to comment on the inflated prices under the current Burmese government. They sold small items like candy and ribbons for miniscule amounts of money. They were arrested, and would have been jailed […]

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In one of the busiest street markets in Yangon, Myanmar (Burma), Chaw Ei Thein and a friend, the artist Htein Lin, created a performance to comment on the inflated prices under the current Burmese government. They sold small items like candy and ribbons for miniscule amounts of money. They were arrested, and would have been jailed if the police were too busy to see the arrest through. Their performative acts, criticizing a government where civil rights and freedom of speech is limited, led to Thein’s exile from her country.

Since filing for political asylum, Thein has been creating art in the US, where she lives. freeDimensional, an organization that helps exiled artists, was able to help Thein by getting information and contacts from fD’s global network of art spaces, human rights organizations, and social service providers to help acclimate her to her new http://www.oakleyonorder.com/ home in New York and continue her activist art. Now she has opportunities to dialogue with university students, give talks and attend weekend strategy-building retreats at art spaces.

Besides performance art and creating art objects, Thein also paints about the pain and fear Burmese people deal with living under an oppressive government. Her images and substantial use of harsh and contrasting colors depict struggles to live in such a confined and cruel civilization. Images like women or men being handcuffed show Myanmar’s lack of freedom; other cheap oakley paintings depict Thein’s own physical and emotional struggle, to be both a Burmese woman and as an artist living in the US.

With the support of groups like freeDimensional, Thein is now free to express her thoughts on the state of life in Myanmar without fear of getting arrested, jailed, or silenced.

by Vivian Lee

The World Policy Journal is featuring five freeDimensional stakeholders on its blog this Fall in relation to its current issue, The Creative Canon.

Photo of “Stories Out of Burma #02” courtesy of the artist.

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